"Nothing worth doing is completed in our lifetime; therefore, we must be
saved by hope. Nothing true or beautiful or good makes complete sense in
any immediate context of history; therefore, we must be saved by faith.
Nothing we do, however virtuous, can be accomplished alone; therefore,
we are saved by love."
—Reinhold Niebuhr

Read this on my webpage for a prettier experience.

Hello, dear friends (and long-running fond almost-strangers)! Life has been especially full this year so far and I apologize for taking 400% longer than advertised to get this update to you...hopefully it finds you well, and lands precisely where it nourishes you best.

I have A LOT of projects in the pipeline right now but here are some finished works worth sharing:

New Painting: "Party Time" + Digital Reworkings

As usual, I may be getting ahead of myself...but it just felt right to celebrate the end of 2020. Here's a fun, light-hearted moment of color in the weirdest, longest, most ominously-warm-and-dry winter I can remember — created the week of the Capitol riot, which feels humorously apropos.

Available — interested collectors, find more details in my shrinking master list of unsold paintings.

For several reasons, I've decided to slow down and stop offering open-series prints of every new piece...instead, I want to use the original paintings as starting points for remixes and reimaginings, letting them be the raw material for novel digital compositions in the same way my recent music has reworked live recordings into vastly deeper and more ambitious sound collages.

Here's a glimpse at how that works. I haven't decided how, precisely, I want to bring these to market yet, but here are some pieces that grew out of the painting above — really, just snapshots along a kind of improvisational random walk across an evolutionary landscape (see Future Fossils Podcast #161 below):

But digital work didn't used to hold much appeal for me, because you're kind of just "singing into the wind" until you impose some artificial scarcity (printing onto clothing, etc.). Which brings me to:

Yes, I Too Am Minting NFTs

Browse my available NFT artwork at Rarible

Like nearly every other artist you know, I've started minting Non-Fungible Tokens (NFTs), a blockchain-enabled new medium that (as just one promising example among many) allows creators to take control of their own digital rights management back from exploitative corporations.

(There's been a swirl of controversy around this extremely-hyped new technology, so if you're skeptical about this I invite you to dig into the thoughtful discussion I've been kindling on the issue on my Facebook profile here and here.)

I'm planning some really fun collaborative multimedia NFT projects with friends, but for the time being you can scope and bid on my first few 1-of-1 digital art tokens, each an animated version of one of my most popular paintings, at rarible.com/michaelgarfield. I am very pleased to see these pieces transform with new flowing movement into works more perfectly representational of the psychedelic hyperspace from which they descended into my brain and down my arm onto the canvas.  Go check 'em out!

Long Now Feature on Skytree's Deep-Time Electronica

I was and am so pleased to interview my old friend Evan "Skytree" Snyder for The Long Now Foundation blog about how his meditations on deep have have inspired his electronic music and recent "geosonification" (using mineral specimens to drive modular synths).

Future Fossils Book Club on Tyson Yunkaporta's Sand Talk

Our last Future Fossils book club call, for Sand Talk by Tyson Yunkaporta, was so good — a very wise small-group chat on how the complex, embodied, relational, context-dependent Indigenous wisdom Yunkaporta performs for us in this work makes sense of violence, paradox, identity, time, nomadic versus sedentary living, and much more.

The video recording and our extensive collection of relevant external links are now up on Patreon. Please share with anyone you think will benefit.

Hard-Hitting New Episodes of Future Fossils Podcast

I talk with an intensely-scientific ecumenical preacher about how to face radical climate change with grace and dignity; with two friends and fellow fantasy nerds about the profundity of Philip Pullman's His Dark Materials; with Third Eye Drops host Michael Phillip about the mythology and biology of creativity; and with an evolutionary biologist and a Bitcoin entrepreneur about the analogy between digital currencies and mycelial networks.

I also published my first "mailbag" solo episode, in which I had immense fun answering listeners' questions about aliens, death, and making art:

And as far as other podcasts are concerned, I had a blast joining Chris Curran of the Podcast Engineering School for this conversation about the philosophical AND technical aspects of hosting and producing both my podcasts, Future Fossils and Complexity.

Follow My Spotify Playlist (Recommendations)

This is where I share all of the cool new music I discover. Chillout, electro-folk, acoustic instrumentals, avant-pop, film scores, and more — it is as everywhere as I am, but I hope that you agree it all coheres.

Spotify | YouTube | Twitter | Instagram | Soundcloud | Bandcamp